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  • Servo2000
    Senior Member
    • Oct 2006
    • 2183

    Re: Photography is truth. The cinema is truth twenty-four times per second: The cinema thread



    [quote user="Faust"]I think DiCaprio was always a good actor - if you look at films like What's Eating Gilbert Grap and Basketball Diaries - he's amazing. Titanic was his "I-will-now-become-a-household-name" film. But it looks like he's taking the Johnny Depp route with the huge blockbusters. It's all right, I guess - but that's not where an actor's strength lies. I'd like to see him in theater. I look at these guys who are a right mix of a good actor and a pretty face (DiCaprio, Johnny Depp, Brad Pitt), and I sometimes wish they were ugly and stuck to more challenging roles :-). They do a nice mix though - just when I'm ready to give up on Pitt he'll do a Snatch or Babel. Still waiting for Depp to do something worthwhile these days...
    [/quote]</p>

    I think Depp tried for on with The Libertine but personally I thought the movie was so terrible as to be almost unwatchable. I've heard others who absolutely adored it though, so it seems like a rather divisive film. He has The Rum Diary coming up probably in 2008 / 2008, that might be alright.

    </p>
    WTB: Rick Owens Padded MA-1 Bomber XS (LIMO / MOUNTAIN)

    Comment

    • Faust
      kitsch killer
      • Sep 2006
      • 37849

      Re: Photography is truth. The cinema is truth twenty-four times per second: The cinema thread

      [quote user="Servo2000"]

      I think Depp tried for on with The Libertine but personally I thought the movie was so terrible as to be almost unwatchable. I've heard others who absolutely adored it though, so it seems like a rather divisive film. He has The Rum Diary coming up probably in 2008 / 2008, that might be alright.
      [/quote]</p>

      I haven't seen The Libertine. I am also convinced that they will never make the Rum Diary - I've been waiting for it for about 4 years already, ever since the news came out. I think it's the most underestimated of Thompson's works (it was only released because he became famous, but I thought it was a good novel on its own).
      </p>
      Fashion is a form of ugliness so intolerable that we have to alter it every six months - Oscar Wilde

      StyleZeitgeist Magazine

      Comment

      • PrinceOfCats
        Senior Member
        • Jan 2007
        • 100

        Re: Photography is truth. The cinema is truth twenty-four times per second: The cinema thread

        Depp's one of those 'can-act-won't-act' actors. He's been in so many films giving the camera the fifth look (the 'I'm just doing this for the money, I could do a serious film if I wanted to' look) that he may have to apply for British citizenship soon so he can join the rest of them.
        the extraordinary metamorphosis of one black liquid into another

        Comment

        • Faust
          kitsch killer
          • Sep 2006
          • 37849

          Re: Photography is truth. The cinema is truth twenty-four times per second: The cinema thread



          [quote user="PrinceOfCats"]Depp's one of those 'can-act-won't-act' actors. He's been in so many films giving the camera the fifth look (the 'I'm just doing this for the money, I could do a serious film if I wanted to' look) that he may have to apply for British citizenship soon so he can join the rest of them.
          [/quote]</p>

          Hahaha, I like the way you put it. The only difference is, I would like to say that he has become one of those actors after he re-emerged from a short break '03 - it's been much more easy-film heavy since.</p>
          Fashion is a form of ugliness so intolerable that we have to alter it every six months - Oscar Wilde

          StyleZeitgeist Magazine

          Comment

          • Casius
            Senior Member
            • Dec 2006
            • 4772

            Re: Photography is truth. The cinema is truth twenty-four times per second: The cinema thread

            Faust- I love the basketball diaries. Not really a fan of Gilbert Grape, maybe it's because I found the character to annoying or hard to watch. None the less he did a great job in both of those films though.<DIV><BR class="khtml-block-placeholder"></DIV><DIV>Just bought "The pursuit of happiness" staring Will Smith. Movie day today. </DIV>
            "because the young are whores. dealers come to carol to get the rock"

            Comment

            • Fuuma
              Senior Member
              • Sep 2006
              • 4050

              Re: Photography is truth. The cinema is truth twenty-four times per second: The cinema thread



              <p class="MsoNormal"><b style=""><span style="" lang="EN-US">Amants réguliers, les (Regular
              lovers)/France/Philippe Garrel/2005: </span>[/b]<span style="" lang="EN-US">Semi-autobiographical story of lovers who meet
              during the «social revolution» of May 68 and later hang around with
              a bunch of disillusioned artistic youth in the luxurious apartment of a
              bourgeois friend.<o:p></o:p></span></p>

              <p class="MsoNormal"><span style="" lang="EN-US"><o:p></o:p></span></p>

              <p class="MsoNormal"><b style=""><span style="" lang="EN-US">May 68:</span>[/b]<span style="" lang="EN-US"> pretty much the French pendant to the American
              Vietnam protests, but with more intellectual posturing and less patchouli. A
              lot of intellectuals of all stripes had their life shaped by what they lived
              during May 68; in French political thinking there is a pre and post 68
              division, which doesn?t happen often in history unless the son of god comes to
              earth or something of that caliber. French new wave members were among those
              that were greatly involved in all this, the work of Jean-Luc Godard being a
              shining example.<o:p></o:p></span></p>

              <p class="MsoNormal"><span style="" lang="EN-US"><o:p></o:p></span></p>

              <p class="MsoNormal"><span style="" lang="EN-US">Why you
              should see Les amants réguliers:<o:p></o:p></span></p>

              <p class="MsoNormal"><span style="" lang="EN-US"><o:p></o:p></span></p>

              <p class="MsoNormal" style="margin-left: 18pt; text-indent: -18pt;"><span style="font-family: Symbol;" lang="EN-US"><span style="">·<span style="font-family: 'Times New Roman'; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;">
              </span></span></span><span style="" lang="EN-US">Gorgeous
              black and white cinematography, the movie is striking, space and camera
              positioning are sharply put to use, all this without looking overproduced or
              too staged. In other words I don?t think a movie like 300 is visually
              impressive but this one is?<o:p></o:p></span></p>

              <p class="MsoNormal" style="margin-left: 18pt; text-indent: -18pt;"><span style="font-family: Symbol;" lang="EN-US"><span style="">·<span style="font-family: 'Times New Roman'; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;">
              </span></span></span><span style="" lang="EN-US">Great
              elliptical narrative that often skips the ?action? phase to go straight to what
              is important; how the character react, what they feel, what it means to them.<o:p></o:p></span></p>

              <p class="MsoNormal" style="margin-left: 18pt; text-indent: -18pt;"><span style="font-family: Symbol;" lang="EN-US"><span style="">·<span style="font-family: 'Times New Roman'; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;">
              </span></span></span><span style="" lang="EN-US">Generates
              various question about art, creation and the place of creators.<o:p></o:p></span></p>

              <p class="MsoNormal" style="margin-left: 18pt; text-indent: -18pt;"><span style="font-family: Symbol;" lang="EN-US"><span style="">·<span style="font-family: 'Times New Roman'; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;">
              </span></span></span><span style="" lang="EN-US">I
              want to dress like the main character, who happens to be played by Louis Garrel
              (the director?s son) which takes the autobiographical references to a whole
              different level.<o:p></o:p></span></p>

              <p class="MsoNormal" style="margin-left: 18pt; text-indent: -18pt;"><span style="font-family: Symbol;" lang="EN-US"><span style="">·<span style="font-family: 'Times New Roman'; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;">
              </span></span></span><span style="" lang="EN-US">The
              first act, which concerns the riots and their aftermath, is presented through a
              series of long takes where uncertainty and a certain unreality makes the proceedings
              all the more realistic by conveying how it felt, at least for one man, to be
              there. A lesser director might have used frantic editing and a standard cinema
              vérité, hand-held camera approach, creating a sort of newsreel but this is,
              thankfully, not the case here. <o:p></o:p></span></p>

              <p class="MsoNormal" style="margin-left: 18pt; text-indent: -18pt;"><span style="font-family: Symbol;" lang="EN-US"><span style="">·<span style="font-family: 'Times New Roman'; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;">
              </span></span></span><span style="" lang="EN-US">Garrel,
              a child of May 68 himself, manages to tell how the ?revolution? collapsed
              afterward, without using dramatic gestures or overt symbolism; just by showing
              you how the characters react and interact with each others and the world at
              large.<o:p></o:p></span></p>

              <p class="MsoNormal" style="margin-left: 18pt; text-indent: -18pt;"><span style="font-family: Symbol;" lang="EN-US"><span style="">·<span style="font-family: 'Times New Roman'; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;">
              </span></span></span><span style="" lang="EN-US">The
              male and female leads are excellent and bring a great sensitivity that is much
              needed, as this is, at the foremost, a film that should speak to you on a
              visceral level<o:p></o:p></span></p>

              <p class="MsoNormal" style="margin-left: 18pt; text-indent: -18pt;"><span style="font-family: Symbol;" lang="EN-US"><span style="">·<span style="font-family: 'Times New Roman'; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;">
              </span></span></span><span style="" lang="EN-US">Be
              warned that it?s 3 hours and that I?m sure you could find people to say that ?nothing
              happens?<o:p></o:p></span></p>

              Selling CCP, Harnden, Raf, Rick etc.
              http://www.stylezeitgeist.com/forums...me-other-stuff

              Comment

              • Fuuma
                Senior Member
                • Sep 2006
                • 4050

                Re: Photography is truth. The cinema is truth twenty-four times per second: The cinema thread

                [quote user="Incroyable"][quote user="Fuuma"]

                Fuuma's top 100 movies: 10's</p><ul><li class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span lang="EN-CA"><font size="3"><font face="Times New Roman">Vampires, les/France/Feuillade/1916: Engrossing crime serial with a macabre edge, the main character is boring but you?ll be cheering for the amoral members of ?les vampires? gang</font></font></span>[/list]

                [/quote]</p>

                An interesting vampire film is the Danish Vampyr which has the Baron Nicolas de Gunzburg in a role. The Baron was the world's first male fashion editor, at Vogue with Diana Vreeland and people like Carmel Snow--at Harper's Bazaar--as contemporaries.
                </p>

                </p>

                [/quote]</p>

                Sounds interesting, is their a DVD/VHS release somewhere or should I wait for an occasion to see at a theater?</p>
                Selling CCP, Harnden, Raf, Rick etc.
                http://www.stylezeitgeist.com/forums...me-other-stuff

                Comment

                • Faust
                  kitsch killer
                  • Sep 2006
                  • 37849

                  Re: Photography is truth. The cinema is truth twenty-four times per second: The cinema thread



                  Thanks for the review, Fuuma. That era is certainly most interesting. I'll have to check it out.</p>

                  So, I watched Zizek! Meh, not really worth it. He did a couple of smart/funny lines, but that's about it. I guess film is not the right medium for this kind of stuff - readin his books would be a much more gratifying experience, I would think.
                  </p>
                  Fashion is a form of ugliness so intolerable that we have to alter it every six months - Oscar Wilde

                  StyleZeitgeist Magazine

                  Comment

                  • Faust
                    kitsch killer
                    • Sep 2006
                    • 37849

                    Re: Photography is truth. The cinema is truth twenty-four times per second: The cinema thread



                    The Wind That Shakes the Barley</p>

                    Clumsy title notwithstanding (it's taken from an Irish folk-song), a really excellent film about the Irish resistance to the British, gaining independence for Ireland, and the formation of IRA. </p>

                    A very heavy, gut-wrenching film, full of anguish, but more important (for a medium such as film) full of ambiguity and ambivalence, especially in the part where the Irish resistance split up into those who accepted the partial independence, and those who wanted full independence and formed the new IRA. It's also beautifully shot, really takes you there. The actors were great.
                    </p>
                    Fashion is a form of ugliness so intolerable that we have to alter it every six months - Oscar Wilde

                    StyleZeitgeist Magazine

                    Comment

                    • PrinceOfCats
                      Senior Member
                      • Jan 2007
                      • 100

                      Re: Photography is truth. The cinema is truth twenty-four times per second: The cinema thread



                      Loachy goodness as it may be... I'm not really sure that TWTSTB does anything that Land and Freedom didn't do twelve years ago.
                      </p>

                      I'm rewatching Beau Travail on slo-mo for my exam on Monday. Truly remarkable film... who knew that someone could go one better than Godard? (And that director being Claire Denis made it a real coup for women in the film industry.) I've heard that L'Intrus is even more challenging. </p>

                      </p>
                      the extraordinary metamorphosis of one black liquid into another

                      Comment

                      • Vicomte
                        Junior Member
                        • Mar 2007
                        • 9

                        Re: Photography is truth. The cinema is truth twenty-four times per second: The cinema thread

                        [quote user="Fuuma"]
                        <P class=MsoNormal><SPAN lang=EN-US>Amants réguliers, les (Regular lovers)/France/Philippe Garrel/2005: </SPAN><SPAN lang=EN-US>Semi-autobiographical story of lovers who meet during the «social revolution» of May 68 and later hang around with a bunch of disillusioned artistic youth in the luxurious apartment of a bourgeois friend.<?xml:namespace prefix = o /><o:p></o:p></SPAN></P>
                        <P class=MsoNormal><SPAN lang=EN-US><o:p></o:p></SPAN></P>


                        [/quote]</P>


                        Funny how Garrel almost always plays the same roles- I like him though.</P>


                        Your description may also suit The Dreamers (Bertolucci) -it wasn't exactly praised by the critics though but it's definitely an "easier" film if you compare with les Amants Réguliers</P>

                        Comment

                        • Faust
                          kitsch killer
                          • Sep 2006
                          • 37849

                          Re: Photography is truth. The cinema is truth twenty-four times per second: The cinema thread

                          [quote user="PrinceOfCats"]

                          Loachy goodness as it may be... I'm not really sure that TWTSTB does anything that Land and Freedom didn't do twelve years ago.
                          </p>

                          I'm rewatching Beau Travail on slo-mo for my exam on Monday. Truly remarkable film... who knew that someone could go one better than Godard? (And that director being Claire Denis made it a real coup for women in the film industry.) I've heard that L'Intrus is even more challenging. </p>

                          </p>

                          [/quote]</p>

                          I'd have to check that out. Of course I take everything with a grain of salt form an English imperialist like you [:P] </p>

                          I watched Children of Men yesterday. It was all right. I liked the apocalyptic portrayal of the world, the showing of controlled paranoya, and while I was a little bit upset at the end, I realized that there could be no other end without turning this movie into a complete science fiction and taking away from the philosophical bit of it. I also liked the idea of the savior figure going through the entire film without firing a single gun shot (without even handling a gun, actually) - that was refreshing from the usuall Hollywood machismo.
                          </p>
                          Fashion is a form of ugliness so intolerable that we have to alter it every six months - Oscar Wilde

                          StyleZeitgeist Magazine

                          Comment

                          • kamsky
                            Senior Member
                            • Jan 2007
                            • 120

                            Re: Photography is truth. The cinema is truth twenty-four times per second: The cinema thread

                            [quote user="Faust"]


                            The Wind That Shakes the Barley</P>


                            Clumsy title notwithstanding (it's taken from an Irish folk-song), a really excellent film about the Irish resistance to the British, gaining independence for Ireland, and the formation of IRA. </P>


                            A very heavy, gut-wrenching film, full of anguish, but more important (for a medium such as film) full of ambiguity and ambivalence, especially in the part where the Irish resistance split up into those who accepted the partial independence, and those who wanted full independence and formed the new IRA. It's also beautifully shot, really takes you there. The actors were great.
                            </P>


                            [/quote]</P>


                            <U>THIS POST CONTAINS A SPOILER (OF SORTS)!!!</U></P>


                            I also came away with a generally positive opinion of this movie, but I do feel like there is one major flaw with it; namely, Teddy, the main character's brother, becomes increasingly unbelieavable. I fail to see how it couldbe possible for a person to undergo the kind of atrocities to which he is subjected by his oppressors, and then, as you mention, accept a compromise that falls far short of his original ideal. If anything, his experiences would further, and irreversibly,polarize and harden his position. This becomes even more glaring as the story winds down, as his decisions, and the course of action that they entail, seem absolutely implausible.</P>

                            Comment

                            • nairb49
                              Senior Member
                              • Dec 2006
                              • 410

                              Re: Photography is truth. The cinema is truth twenty-four times per second: The cinema thread



                              Watched "Sleeping Dogs Lie" yesterday, written/directed by Bobcat Goldthwait

                              Haven't decided whether I love it or hate it yet, but I don't think there's a middle ground...</p>

                              </p>

                              You should see it just for the awkwardness. </p>

                              Comment

                              • Servo2000
                                Senior Member
                                • Oct 2006
                                • 2183

                                Re: Photography is truth. The cinema is truth twenty-four times per second: The cinema thread

                                Just finished The Proposition. I loved it, Nick Cave did an amazing job with the soundtrack, as well (as well as with writing the film!).
                                WTB: Rick Owens Padded MA-1 Bomber XS (LIMO / MOUNTAIN)

                                Comment

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