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Originally posted by Faust
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Just add horses and swords.-
and a columbian orphan with a moustache Just add horses and swords. -
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and some bananasOriginally posted by christianef View PostFashion is a form of ugliness so intolerable that we have to alter it every six months - Oscar Wilde
StyleZeitgeist MagazineComment
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Love it. The aggresive edge that was given to this collection is so great. And that blue...Comment
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took the words right out of my mouth. That dark dingy blue is amazing - especially after seeing that electric blue she used in the men's I'm really impressed.Originally posted by Czx View PostComment
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BECOMING-INTENSE - You posting hi-res shots of each look – on top of posting the general collection – is very much appreciated. It takes a lot of time and effort, both of which seem always in short supply nowadays.
Contrast this with those who just post a link to a collection and call it a day, and my respect for you only doubles.
❤.
sain't
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You're most welcome, Miss Interest.
Are you afraid of women, Doctor?
Of course.
www.becomingmads.comComment
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Tim Blanks for Style.com
Ann Demeulemeester's is sure to be one of the most extravagant tonsorial statements of the season: hair spiked by Eugene Souleiman, charged with feathers like a Navajo warrior, or like a classic fashion illustration by Antonio Lopez. "Construction, shape, architecture," Demeulemeester's three touchstones for the season, were instantly broadcast by her models' heads, yet with a wanton eroticism that automatically elevated the clothes. Imagine the outfits Lisbeth Salander would splurge on when she suddenly felt inclined by her financial chicanery toward high fashion.
Demeulemeester's new designs had Salander's kick-ass, high-performance quality. There was a pointy sharpness to the layered scarf hems on leather jackets that suggested warrior action. As did the stiffened sculptural leather neckpieces. And the strict linear quality of suits made of bias-cut, funnel-necked jackets and pencil skirts provided a fierce new silhouette for the designer.
The designer was so exercised by this new direction that she insisted she had no need for decoration or color. Nevertheless, there was a sumptuously luminous blue ("the color of night," she said) that made the collection so much more interesting. As Demeulemeester's husband Patrick sagely said backstage, "If you do architecture, it has to be something people can live in."Comment
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Ann with the Dragon Tattoo.Fashion is a form of ugliness so intolerable that we have to alter it every six months - Oscar Wilde
StyleZeitgeist MagazineComment
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Ann at 1:32
Can someone briefly translate for us English-only speaking neanderthals? Does the interviewer ask Ann "and music?" for her to respond "Satie." ?Comment
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