Eugene Rabkin is the founder of stylezeitgeist.com. He has contributed articles on fashion and culture to The Business of Fashion, Vogue Russia, Buro247, the Haaretz Daily Newspaper, and other publications. He has taught critical writing and fashion writing courses at Parsons the New School for Design.

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Porzellan Manufaktur Nymphenburg

If you find yourself in Munich, Germany, you might visit the Nymphenburg Palace, which was built in 1679. But you could easily miss one of its hidden treasures, Porzellan Manufaktur Nymphenburg, which has been producing porcelain wares since 1747.

The manufactory still belongs to the Bavarian crown. Although calling it a manufactory is misleading, because today the word implies mechanized production on industrial scale.

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Showroom: Mad et Len

On a recent trip to Paris I visited the showroom our favorite perfumer, Mad et Len. Moving to a dedicated showroom has allowed the brand to fully showcase its universe, which includes candles, lava rock home scents, and blackened iron objects hammered by hand. At the core of Mad et Len’s ethos is combining the light and the ethereal  (scent) with the dark and earthy (hammered iron).

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WORK:SPACE – GUIDI

Some time ago I visited the GUIDI tannery in Italy, nestled among the hills of Tuscany.​ GUIDI is one of the best tanneries that still employ traditional tanning methods, such as vegetable tanning. I witnessed the processing of the hides and the finishing applied to GUIDI’s footwear and bags. Below is my photo reportage.

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Work:Space – Werkstatt:Munchen

Recently I visited the workspace of the German jewelery maker Werkstatt:Munchen. Their studio is located in the center of Munich in the former foundry. Keeping with his label’s ethos of craftsmanship, Klaus Lohmeyer left the raw space intact. Hidden in a courtyard behind closed doors, this hidden gem of industrial space contrasts greatly with its clean-cut surroundings.

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Fashion Week Ramblings, F/W 2015

Let me get something out of the way – though my writing is critical more often than not, I don’t particularly enjoy blasting fashion. So, it is with a certain elation I would like to report that this past men’s fashion week in Paris was one of the strongest I’ve seen in a while.

For me it began last Wednesday night when Haider Ackermann presented his most convincing collection yet. Everything seemed to coalesce – from the muted but rich color palette to lush fabrics to nonchalant styling. It was presented at the Galleria museum, and the presentation and the clothes were just the right shade of decadence, a fantasy world of the rich and idle whose saving grace is impeccable education and impeccable manners.

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Betony Vernon

Last week Betony Vernon, the Paris-based jewelry designer, relaunched her collection of jewelry that double as instruments of sexual pleasure, at Dover Street Market in New York.

Though Vernon makes fine jewelry as well, her reputation comes from those of her products that are the stuff of sexual fantasy. Or, in the world according to Vernon, sexual reality.

In 1992 when Vernon launched a jewelry collection called Sado-Chic, she knew she hit a nerve. The sexually charged collection was based on pieces that connect to each other. The emotional and physical connection of lovers was now manifested in silver rings and chains.

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David Bowie Is

“The Medium is the Message” – Marshall McLuhan

The iconic quote above epitomizes David Bowie Is, the new exhibit currently on show at the Museum of Contemporary Art in Chicago about the English singer who gave birth to glam rock in the early 70s and has become an indispensable fixture of pop culture.

The exhibit’s official text bills Bowie as “one of the most pioneering and influential performers,” either a tacit or an unwitting acknowledgment that he was neither a particularly gifted musician or lyricist. But, he was an unrivaled image-maker and storyteller who very early on in his career realized that appearance is an indispensable part of being a pop musician. Hence, his frequent metamorphosis and meticulous attention to the finest details of imagery.

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Yamamoto & Yohji

Today, Rizzoli is releasing a new monograph on the Japanese fashion designer Yohji Yamamoto (YAMAMOTO & YOHJI, Rizzoli, $115). It is a road well-travelled, as there is already a slew of books on Yamamoto – from the collectable Talking to Myself to the forgettable “best hits” pamphlets by the publishers Taschen and Assouline.

The new volume contains 600 photographs and contributions by long-time Yamamoto’s famous friends, including the French actress Charlotte Rampling and the German filmmaker Wim Wenders. It is a hefty, cloth-bound tome, its 448 pages printed on thick matte paper, as it should be, since once cannot imagine anything glossy (read, vulgar) in the Yamamoto world. The cover is red and black, the two signature Yamamoto colors.

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Op-Ed: What’s In a Name?

When Ann Demeulemeester departed her label late last year, some of her devotees spoke about the end of an era. They wondered out loud whether they would purchase another garment with the tag that bears the designer’s name. This summer in Paris the label showed an undeniably strong men’s collection, but when Demeulemeester’s former menswear assistant, Sebastian Meunier, came out to take the final bow I could not shake off the lightning bolt of cognitive dissonance, even though I knew that Demeulemeester has been quietly preparing her departure for a while now and that her assistants were being given more creative control.