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Look.. Not to sound finalizing, but Tte final judge of value is the end customer, who decides to sink or float the prices that a designer or store chooses to set an item at.. If the price makes it worthwhile for buyers, then the designer will set it there.. Plus there is an aura of eliteism which surrounds high priced items, making them more desirable due to exclusivity.. Of course I wish LUC was more affordable, but why complain about it here?
Its a bit arrogant on the designer's part to charge 3000 for a pair of shoes. Because thats all they are. The art thing doesn't stand up. A display of skill or a nice idea, but art no.
To drop 3,000 on shoes, you'd want to have around 1 million in the bank, but I think anyone with 1 million in the bank, probably has it because they wouldn't pay 3000 for a pair of shoes if you know what I mean.
I also have a suspicion that the majority of MA+ customers don't have that kind of money.
Lets take the 3,000 euro shoe. Now, at some point ma+ sat down and fixed a price for this. Now what drove the decision to put 3,000 euro on it. I'd like to examine that.
well, sure. if they didn't, museums would be broke as they rely on the value of their collections.
but this has nothing to do with shoes...
It is precisely the conspicuous art consumption of private collectors that is pricing museums out of the market. They rely on gift from generous donors (often collectors themselves) and only have the budget for a few well-targeted acquisitions anyway.
If rich dudes didn't want to show off you'd actually have MORE interesting recent pieces in museums, all things considered.
Lets take the 3,000 euro shoe. Now, at some point ma+ sat down and fixed a price for this. Now what drove the decision to put 3,000 euro on it. I'd like to examine that.
so when they place it on sale for 2000 euros pple will be like omg ma+ shoes on sale!! cop!! and they'll get the price they secretly wanted in the first place
Lets take the 3,000 euro shoe. Now, at some point ma+ sat down and fixed a price for this. Now what drove the decision to put 3,000 euro on it. I'd like to examine that.
The leather on those is a lot more expensive than they usually use and the construction more demanding, I'd wager it is at about the same margin of profit than the other pairs.
so when they place it on sale for 2000 euros pple will be like omg ma+ shoes on sale!! cop!! and they'll get the price they secretly wanted in the first place
MA+ do not own stores so if it's in a store they already got the price that they wanted. I doubt retailers decided of a different multiplier for that shoe so, once again, that's not how the pricing was decided.
^^ not only are the rich collectors to blame, museums cannot deaccession anything they want. either by contract they are not allowed or it just looks bad Moma is hocking their De Chirico on ebay to pay their bills..
This sounds like circular reasoning and is precisely what is being called into question. Whether it is M.A+/LUC and their fabric choices, RO/ANN/YY/DD and their sensual universe, or CCP and his experimental design, do the pricepoints accurately reflect the creative process at work or is the premium solely indicative of an aura that attracts a wealthy/elitest consumer base? Is it a coincidence that a significant percentage of their clientele work in the fine arts field?
A lot of these brands do flirt with the idea of "fashion as art" which can be seductive. In the end they aren't but they often do offer a discourse on the object of art via their creations.
Poell is really good at that with the "I am not an artist", no one was saying that Carol but you put it on the table by denying it, you sly devil.
I wanted to purchase a large form Wolfgang Tillmans print. I nearly did, but then I thought abit more about it. While I still love the print, the fact that it is a print and can be run off a 1000 times meant in the end that I could not square it with myself. Art where by it is unique one of a kind hand work I think has the right to have a high value.
^^ not only are the rich collectors to blame, museums cannot deaccession anything they want. either by contract they are not allowed or it just looks bad Moma is hocking their De Chirico on ebay to pay their bills..
Museums do sell some of their works from time to time but works given to them often come with closes about having to keep 'em and even negotiations about exposure time (people don't want their work to be left in a crate and some museum collections are very large).
I wanted to purchase a large form Wolfgang Tillmans print. I nearly did, but then I thought abit more about it. While I still love the print, the fact that it is a print and can be run off a 1000 times meant in the end that I could not square it with myself. Art where by it is unique one of a kind hand work I think has the right to have a high value.
What if it isn't handwork? Being one of a kind is only one aspect of art pieces. No two spits of mine look alike, where is the value in my smoker's phlegm? I hope Tracy Emin doesn't read the forum, she'll have a new masterpiece out in no time.
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