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Damir Doma Womens prefall 2011
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Actually, it's more the other way around.Fashion is a form of ugliness so intolerable that we have to alter it every six months - Oscar Wilde
StyleZeitgeist Magazine
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You might know better about this one, but I find the aesthetic parallels between those afore mentioned designers to be way too close nowadays... particularly taking into account that Drira works with all three of them and thus regularly gives them particular spotlight in his magazine.
It's understandable, but really, I don't see it as a much better example than when I see someone like Emmanuelle Alt and some of her downtown-Paris-by-the-way-of-Kate-Moss'-closet stylings with Christophe Decarnin and Isabel Marant (you can hardly remember that she's actually been a decent designer at some point of her career after her collection was turned into yet another Grunge-'It'-Girl go-to destination)...
I think with drawing such a comparison, it's necessary to mention that it's the influence of stylists as a whole that I find disturbing - there are people who merely help to edit the existing work (such as with Panos Yiapanis or Alistair McKimm) and there are others that clearly leave a stamp on the work of their clients.
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I don't disagree, but the parallels do not determine causality. It's more like work in tandem, and it's not easy to clearly say who influences who.Fashion is a form of ugliness so intolerable that we have to alter it every six months - Oscar Wilde
StyleZeitgeist Magazine
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^Can you share more details?
Big fan of Drira's work as well as the work of Damir, Ames and Fabrics Interseason.
So, I'd be interested to know any interesting details/insights about the creative process/relationship between Drira and the designers mentioned here.
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