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Vogues Controversial Cover

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  • Faust
    kitsch killer
    • Sep 2006
    • 37849

    #31
    Re: Vogues Controversial Cover



    No, I definitely hear what you are saying, Laika. It is a dilemma - do you publicly resent these things while running a risk of being looked at as much ado about nothing, or do you ignore something that is clearly wrong? I look at my students, and I can't wonder enough how blase and jaded they are, but I also get responses like "let the smart ones talk about these things, they simply don't affect us."



    EDIT: Ok, but I want to make Vogue irrelevant [86]

    Fashion is a form of ugliness so intolerable that we have to alter it every six months - Oscar Wilde

    StyleZeitgeist Magazine

    Comment

    • laika
      moderator
      • Sep 2006
      • 3785

      #32
      Re: Vogues Controversial Cover



      well, I'm not so fussed about taking that risk.[75] The real issue--which you are already getting at--is how to protest something in a way that is productive rather than complicit; and meaningful rather than a bunch of hot air.



      I have no idea how to do that though. [:^)] The typical modes of protest (which many people I know still engage in) are miserably ineffective. To the point where I think people only bother because they find the gesture self-gratifying. [79]

      ...I mean the ephemeral, the fugitive, the contingent, the half of art whose other half is the eternal and the immutable.

      Comment

      • zamb
        Senior Member
        • Nov 2006
        • 5834

        #33
        Re: Vogues Controversial Cover



        I have so much that i want to..............and will say about this, but i am trying to fit my thoughts into my principles before i speak.......................



        “You know,” he says, with a resilient smile, “it is a hard world for poets.”
        .................................................. .......................


        Zam Barrett Spring 2017 Now in stock

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        • Johnny
          Senior Member
          • Sep 2006
          • 1923

          #34
          Re: Vogues Controversial Cover

          This was written about in the Guardian a couple of weeks ago, but the piece then didn't place that particular poster beside the cover. But it is absolutely unmistakably based on that. However...rather than go straight to dbc's conclusion that that means it's automatically fucked up, which was also my initial thought, can I be devil's advocate for a moment. What if it was just dumb. In other words, what if whoever put it together did not mean to make a direct comparison of a strong black man with agorilla, what if he or she saw the poster and thought "hey, I know...we could make a cover that looks like this with the basketball plaer guay and, say, a skinny supermodel"?What if everyone who saw it at editorial level just thought it was a great idea and a good look. Becausetodeliberately draw a parallel between a black man and an ape is so unconscionable that it would not have occured to them?

          Comment

          • Faust
            kitsch killer
            • Sep 2006
            • 37849

            #35
            Re: Vogues Controversial Cover

            I thought about that, but it seems implausible. They can't ALL be idiots at Vogue. However, I would not be surprised if they were insensitive enough to think that it's mere fun, and that those who get offended at it are too uptight or politically correct. I mean, ostensibly, they are concerned purely with form and not content, right? I mean that's the purpose of a bubbly fashion magazine, no?
            Fashion is a form of ugliness so intolerable that we have to alter it every six months - Oscar Wilde

            StyleZeitgeist Magazine

            Comment

            • Johnny
              Senior Member
              • Sep 2006
              • 1923

              #36
              Re: Vogues Controversial Cover

              I suppose the specific point I'm trying to make is that it seems implausible that they would have deliberately tried to compare a black man with an ape pejoratively to make a socio-political point because that would, indeed,be seriouslyfucked up beyond comprehension. And if that's right were they being racist?

              Comment

              • kira
                Senior Member
                • Mar 2008
                • 2353

                #37
                Re: Vogues Controversial Cover



                [quote user="Faust"]I thought about that, but it seems implausible. They can't ALL be idiots at Vogue. However, I would not be surprised if they were insensitive enough to think that it's mere fun, and that those who get offended at it are too uptight or politically correct. I mean, ostensibly, they are concerned purely with form and not content, right? I mean that's the purpose of a bubbly fashion magazine, no?
                [/quote]



                I would have to think that at some point the reference crossed someone's mind. I just think that they did not care. I think the cover did exactly what was attempted to start a controversy, which as an end result will sell more magazines. I do think they are more concerned with form than content, but I do think they considered the content and its impact. I am not sure what I think about the actual content of the imagery. On the one hand, the stereotype is disgusting if you are considering our history and in reference to that what this alludes to. On the other hand, I think presenting images such as this, as with in the art world, I am thinking about Richard Prince here (he did a series of W covers- two were not even published because the celebrities just did not get it), enables a means of the expression of touchy (for a lack of a better word) subject matter with humor, subversion, directness. I love the expression of something that is wrong in the rightest sense of the word. It enables growth. Also, if the participants are willing, doesn't that same something as well?

                Distraction is an obstruction of the construction.

                Comment

                • gerry
                  Senior Member
                  • Feb 2008
                  • 309

                  #38
                  Re: Vogues Controversial Cover



                  While I do agree that the similarities between the King Kong poster and Vogue cover are undeniable...





                  I'm pretty sure Andre Leon Talley isn't just there for racial diversity.

                  Comment

                  • Fuuma
                    Senior Member
                    • Sep 2006
                    • 4050

                    #39
                    Re: Vogues Controversial Cover



                    I have no idea why someone would complain about the treatment of black men in vogue (hardly an issue unless you want to discuss omission) when they have had this whole dressing women as luxury dolls thing that has been going on for yrs.




                    And being a 6'9" athlete does give one an almost bestial countenance, if he was russian he's be a "russian bear" or some other primal animalistic comparison.

                    Selling CCP, Harnden, Raf, Rick etc.
                    http://www.stylezeitgeist.com/forums...me-other-stuff

                    Comment

                    • dontbecruel
                      Senior Member
                      • Sep 2006
                      • 494

                      #40
                      Re: Vogues Controversial Cover



                      [quote user="Johnny"]I suppose the specific point I'm trying to make is that it seems implausible that they would have deliberately tried to compare a black man with an ape pejoratively to make a socio-political point because that would, indeed,be seriouslyfucked up beyond comprehension. And if that's right were they being racist?[/quote]



                      You'll probably think this is a poncy answer, but I reckon it's important that we're talking about an image rather than an idea. I think the art director probably just thought it looked cool, but most likely never thought to himself that the reason it felt like a powerful image was that it implicity put a man in the position of an ape. Someone else somewhere down the decision-making chain probably did turn that over in their mind and decided they didn't care. This probably represents institutional racism collectively, but that's not really the point I was making: the point is that the image is offensive, regardless of what the people who made it think about black men.

                      Comment

                      • laika
                        moderator
                        • Sep 2006
                        • 3785

                        #41
                        Re: Vogues Controversial Cover

                        [quote user="Fuuma"]

                        I have no idea why someone would complain about the treatment of black men in vogue (hardly an issue unless you want to discuss omission) when they have had this whole dressing women as luxury dolls thing that has been going on for yrs.




                        And being a 6'9" athlete does give one an almost bestial countenance, if he was russian he's be a "russian bear" or some other primal animalistic comparison.



                        [/quote]



                        This is exactly why I think the scenario Johnny suggests is implausible--nearly every image in Vogue is about exploiting (someone) for profit. They made a very big deal about LeBron being the "first" black man on the cover (how one can "brag" about this in 2008 is beyond me [79]). I'm sure the choice about how to present him was very conscious and calculated to sell as many issues as possible--in this case, by causing controversy, among other things.



                        kira:



                        "On the other hand, I think presenting images such as this, as with in
                        the art world, I am thinking about Richard Prince here (he did a series
                        of W covers- two were not even published because the celebrities just
                        did not get it), enables a means of the expression of touchy (for a
                        lack of a better word) subject matter with humor, subversion,
                        directness. I love the expression of something that is
                        wrong in the rightest sense of the word. It enables growth."



                        I like this idea, and agree that in the realm of art, it can be a very powerful strategy. But I don't think American Vogue (at least under Anna) has either the intention or capacity to be subversive. It is among the blandest and most commercial publications I can think of, with everything contrived to sell, sell, sell. [71]



                        ...I mean the ephemeral, the fugitive, the contingent, the half of art whose other half is the eternal and the immutable.

                        Comment

                        • kira
                          Senior Member
                          • Mar 2008
                          • 2353

                          #42
                          Re: Vogues Controversial Cover

                          [quote user="laika"][quote user="Fuuma"]

                          I have no idea why someone would complain about the treatment of black men in vogue (hardly an issue unless you want to discuss omission) when they have had this whole dressing women as luxury dolls thing that has been going on for yrs.




                          And being a 6'9" athlete does give one an almost bestial countenance, if he was russian he's be a "russian bear" or some other primal animalistic comparison.



                          [/quote]



                          This is exactly why I think the scenario Johnny suggests is implausible--nearly every image in Vogue is about exploiting (someone) for profit. They made a very big deal about LeBron being the "first" black man on the cover (how one can "brag" about this in 2008 is beyond me [79]). I'm sure the choice about how to present him was very conscious and calculated to sell as many issues as possible--in this case, by causing controversy, among other things.



                          kira:



                          "On the other hand, I think presenting images such as this, as with in
                          the art world, I am thinking about Richard Prince here (he did a series
                          of W covers- two were not even published because the celebrities just
                          did not get it), enables a means of the expression of touchy (for a
                          lack of a better word) subject matter with humor, subversion,
                          directness. I love the expression of something that is
                          wrong in the rightest sense of the word. It enables growth."



                          I like this idea, and agree that in the realm of art, it can be a very powerful strategy. But I don't think American Vogue (at least under Anna) has either the intention or capacity to be subversive. It is among the blandest and most commercial publications I can think of, with everything contrived to sell, sell, sell. [71]





                          [/quote]



                          agreed. i think that they were aware that the images would spark some type of reaction and it would sell, sell being the most opportune thing. I dont think that they had specifically in mind, 'King Kong' and to be that subversive. although, that would make the cover great if that was the case...

                          Distraction is an obstruction of the construction.

                          Comment

                          • laika
                            moderator
                            • Sep 2006
                            • 3785

                            #43
                            Re: Vogues Controversial Cover

                            Slightly OT, but does anyone remember the controversy over the 1995 comme collection with the striped pajamas? An interesting case of "misinterpretation" that was....
                            ...I mean the ephemeral, the fugitive, the contingent, the half of art whose other half is the eternal and the immutable.

                            Comment

                            • dontbecruel
                              Senior Member
                              • Sep 2006
                              • 494

                              #44
                              Re: Vogues Controversial Cover

                              Yes, it seemed incredible that Rei (and even Joffe, who is Jewish) didn't make the connection between striped pyjamas, serial numbers printed on the models and cropped hair. But apparently they really were horrified when they realised. Do we believe the story as they tell it?

                              Comment

                              • pbt
                                Senior Member
                                • Jan 2007
                                • 159

                                #45
                                Re: Vogues Controversial Cover



                                [quote user="dontbecruel"]Yes, it seemed incredible that Rei (and even Joffe, who is Jewish) didn't make the connection between striped pyjamas, serial numbers printed on the models and cropped hair. But apparently they really were horrified when they realised. Do we believe the story as they tell it?
                                [/quote]



                                Not particularly and much less so given that the date of the collection coincided with the 50th anniversary of the liberation of Auschwitz.

                                Comment

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