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  • Geoffrey B. Small
    Senior Member
    • Nov 2007
    • 618

    .


    The people at NOT JUST A LABEL have decided to republish an article I wrote for them in September 2008 on the environment for young fashion designers. After all the ups and downs we saw in 2013, the fundamental points I wrote about back then are still as valid today as ever. See the article here....

    NOT JUST A LABEL (NJAL) is the world’s leading designer platform for showcasing and nurturing today’s pioneers in contemporary fashion.






    with best wishes to all for a very happy and successful 2014,
    Geoffrey

    .

    Comment

    • old
      Senior Member
      • Jul 2009
      • 132

      Hi Geoffrey, do you have the direct link to the article? I couldn't find it on their main page and neither on the editorial page. Thanks!
      Tradition ist Bewahrung des Feuers und nicht Anbetung der Asche.

      Comment

      • Geoffrey B. Small
        Senior Member
        • Nov 2007
        • 618

        Try here: http://www.notjustalabel.com/editori...oung_designers
        Best wishes, Geoffrey

        Comment

        • old
          Senior Member
          • Jul 2009
          • 132

          Just realized that I have read this one before, but still as inspiring as ever. The funny thing is that it has been like that, for thousands of years, making and selling.
          Tradition ist Bewahrung des Feuers und nicht Anbetung der Asche.

          Comment

          • Geoffrey B. Small
            Senior Member
            • Nov 2007
            • 618

            Thanks Old, now after all the show dust has settled, our turn is coming up. I think it will be number 79 for us in Paris. A big thank you to everyone who helped make it possible...

            Comment

            • Geoffrey B. Small
              Senior Member
              • Nov 2007
              • 618

              .


              "L'Art de Vivre" and the Joy of Dressing:

              My dear friend the architect Paul Bradley, sent me this,
              in the end no matter what aesthetic school you prefer,
              or design camp you are in, we can all learn a little something
              from the Sapeurs....

              cheers, Geoffrey









              .

              Comment

              • Geoffrey B. Small
                Senior Member
                • Nov 2007
                • 618

                .



                Our Paris spring/summer 2014 collection presentation as covered
                in the Paris/Milan Collections edition of Uomo Collezioni, the industry's
                leading print publication for international runway show coverage.
                Collezioni is published in Italy by Logos Srl.















































                The extreme handmade collection is now arriving at only eleven exclusive GBS authorized dealers in Europe, Japan,
                China and Singapore. More stories on the remarkable pieces, their amazing fabrics, and their totally unique creation
                process coming up later.

                Best wishes,

                Geoffrey





                .

                Comment

                • applecrisp
                  Senior Member
                  • Jun 2013
                  • 104

                  That natural/cream colored suit is incredible.

                  Very strong.

                  Comment

                  • unwashed
                    Senior Member
                    • Dec 2008
                    • 694

                    This is very opposite from what I usually wear, but I really love this!

                    The double-breasted suit in the center of page 93 looks so good. As well as the collarless shirts. Many nice details.

                    Too bad I cannot incorporate this in my wardrobe, would look out of place and would collect too much dust which the clothes do not deserve.
                    Grailed link

                    Comment

                    • Geoffrey B. Small
                      Senior Member
                      • Nov 2007
                      • 618

                      .


                      Thanks Applecrisp and Unwashed for your kind comments. I wouldn't worry too much about our pieces collecting dust in the closet... most owners of our works wear the heck out them for many years. And believe me, they have a very wide range of style preferences and tastes. Now, let's get on to some new pieces from the SS2014 collection created for one of our stores....









                      NEW WORKS CREATED EXCLUSIVELY
                      FOR HOSTEM IN LONDON













                      FMJ26 special:

                      This special version of the super limited edition FMJ26 handmade waistcoat design here below is one of only 3 pieces of its kind made in the entire world this season exclusively for Hostem in London, from a 1920’s side-paneled slim-body fitting 4-pocket waistcoat pattern and cut in a remarkable world exclusive pure linen random dyed yarn organic tailor’s cloth fabric developed and woven exclusively for us in Sarcedo Vicenza by Luigi Parisotto and family, and special Como viscose antique striped and cotton jacquard linings, all individually hand dyed dark in our studios using a special process that requires at least 6 hours of work for each piece. The design also features remarkable double-backed real mother-of-pearl shell buttons made for us in Padova Italy, and our signature real hand-stitched buttonholes (each one requires 8-10 minutes to cut and sew) in luxurious pure silk Bozzolo Reale Milano Seta threads.










                      FMJ17 special:


                      This special hand dye dark version of the super limited edition FMJ17 handmade jacket design is one of only 4 pieces of its kind made in the entire world this season exclusively for Hostem in London from a 1920’s French 4-pocket work jacket pattern and cut in a remarkable patchwork design of world exclusive pure linen random dyed yarn organic tailor’s cloth fabrics developed and woven exclusively for us in Sarcedo Vicenza by Luigi Parisotto and family, all individually hand dyed dark in our studios using a special process that requires at least 6 hours of work for each piece. The design also features remarkable real olive wood buttons made for us in Padova Italy each double-backed, and 7 hand-stitched buttonholes (each one requires 8-10 minutes to cut and sew) in luxurious pure silk Bozzolo Reale Milano Seta threads.
















                      FMJ16 special:


                      A remarkable new slim-fit jacket design in a spectacular ultrasoft hand dyed
                      Luigi Parisotto Cashmere, Silk and linen weave created only for us and Hostem...


                      This special hand dye dark version of the super limited edition FMJ16 jacket design is one of only 4 pieces of its kind made in the entire world this season exclusively for Hostem in London, and was made from a modified early 1930’s multiple patch pocket jacket pattern developed from our extensive research, and an ultra-soft superlux cashmere, silk and linen ‘taormina’ weave fabric woven exclusively for us by Luigi Parisotto and family in Sarcedo Vicenza, Italy, and combined with an elegant Como viscose pinstripe and real Bemberg cupro sleeve lining story. It was then specially double hand dyed in our studios with an ardous and time-consuming process which takes over 12 hours for each piece to achieve its special patina, color, and totally unique effects. The design features exclusive real horn buttons made for us in Parma Italy by Claudia and Cinzia Fontana, Italy's best living buttonmakers, and no less than 10 entirely hand-stitched buttonholes (which require at least 8-10 minutes to cut and sew each one- over 2 hours of work just on buttonholes and buttons alone on each piece) in luxurious pure silk Bozzolo Reale Milano Seta threads. The piece also features generous 2,5 centimeter seam allowances on major fitting seams that allow the piece to be altered and let out up to full two sizes larger than its original cut, to help provide maximum long-term wearability for its owner.











                      FMWJ07 special:


                      Created exclusively for the new women's department at Hostem, this hand dyed Piacenza Super 150's Emotions
                      16 micron superlight and superfine luxury wool with its very special lining story is also designed to be equally well-worn and lived-in by men as well - a fantastic living piece for couples and individuals of any gender



                      This special lining story version of the elegant super limited edition FMWJ07 special hand made long relaxed living jacket design is the only one of its kind made in the entire world. It was created exclusively for Hostem in London from our original pattern and cut in a very special super 150’s 16 micron virgin wool superfine fabric woven for us in Pollone, Biella exclusively by Fratelli Piacenza 1733. It was combined with a special Italian jacquard woven and print lining story by Ezio Ghiringhelli in Varese for us and authentic Bemberg cupro sleeve linings for super softness and comfort, and then individually hand dyed in our studios with a special process which took about 4 hours for each piece and is handsigned and numbered by the designer. The special double ties can be tied and worn in a variety of different ways giving its owner an unprecedented long-term comfort and value.











                      FMWJ06 special:


                      Just One in the World. Another Hostem London
                      Men's and Women's World Exclusive Piece


                      This special exclusive pure Como silk lining version of the elegant super limited edition FMWJ06 special hand made relaxed-living jacket design is the only one of its kind made in the entire world. It was created exclusively for Hostem in London from our original pattern and cut in a very special super 150’s micron virgin wool superfine fabric woven for us in Pollone, Biella exclusively by Fratelli Piacenza 1733, the oldest woolen mill in the world. It was combined with an exquisite had dyed floral print silk satin created exclusively for us in Como, Italy, and authentic Bemberg pure cupro sleeve linings, and then individually hand dyed in our studios with a special process which took about 4 hours for each piece to achieve its special patina and unique effects. The design can be worn by men and women and also features an elegant handsewn concealed fly-front along with real horn buttons made for us in Parma, Italy, special covered button and scallop-design cuffs created in our workrooms, and our signature hand-stitched buttonholes (each one requires 8-10 minutes to cut and sew) in luxurious pure silk Bozzolo Reale Milano Seta thread and hand stitch detailing and is handsigned and numbered by the designer.



                      N.B. We do not allow any of our works to be sold online by any e-commerce sites for a long list of reasons.
                      If you are in London or planning a visit, we cordially invite you to view, touch, and experience the pieces in person
                      at Hostem in Shoreditch or contact them via email, post or phone.


                      Thanks for reading.
                      Best wishes,


                      Geoffrey
                      for everyone involved who helped to make
                      these beautiful pieces possible




                      c.copyright MMXIV Geoffrey B. Small, Cavarzere Venezia, all rights reserved.

                      .
                      Last edited by Geoffrey B. Small; 05-09-2014, 07:51 AM. Reason: typography modification

                      Comment

                      • Faust
                        kitsch killer
                        • Sep 2006
                        • 37852

                        These are really gorgeous, Geoffrey! Very impressive.
                        Fashion is a form of ugliness so intolerable that we have to alter it every six months - Oscar Wilde

                        StyleZeitgeist Magazine

                        Comment

                        • old
                          Senior Member
                          • Jul 2009
                          • 132

                          Wow, the fabric selection of the new Hostem collection is simply amazing! Especially love those very tactile linen fabric.
                          Tradition ist Bewahrung des Feuers und nicht Anbetung der Asche.

                          Comment

                          • Geoffrey B. Small
                            Senior Member
                            • Nov 2007
                            • 618

                            .
                            Thank you Faust and Old for your very kind words, as always much appreciated, especially on behalf of all the people who work so hard together to make our pieces what they are and to Hostem for all the care and work they put into handling our work in London... Now, a link to some images of our Spring Summer 2014 shoes and collars we just found on ViewFashionBook.com. It's sort of a funny page as a concept to us, but we'll put it up for SZ viewing anyway…



                            Best wishes, Geoffrey

                            .

                            Comment

                            • TriggerDiscipline
                              Senior Member
                              • Apr 2013
                              • 859

                              Hello!

                              I had the privilege of trying on some of your work at John Bull here in Tokyo, and I must say I became a fan.The handwriting is a really nice personal touch, and then it was even more interesting that you have an account on here.

                              hope to see some Fall Winter delivery @ John Bull later this year.
                              Originally posted by unwashed
                              Try to use a phone camera in broad daylight or use a proper camera.
                              Originally posted by Ahimsa
                              I've found it extremely pleasant and enthralling over repeated whiffs so I would highly recommend.

                              Comment

                              • Geoffrey B. Small
                                Senior Member
                                • Nov 2007
                                • 618

                                Thank you TriggerDiscipline for triggering a few thoughts that come to mind...

                                Dear TriggerDiscipline,

                                Hello to you as well! Thank you for your kind comment and visit to johnbull. Sorry for the long delay in answering… pretty bombed right now after finishing an amazing new delivery for our customers at Eth0s in Shanghai (so much so that apparently 2 of the most incredible and valuable pieces were stolen right out of the boxes either in customs or in transit from Cavarzere to Shanghai, wow how crazy is that?) and also preparing for Paris and what will be perhaps our biggest and certainly most ambitious collection to date. But that is another story...

                                Yes, we have been working with Johnbull for many years now because they have some great people buying for, and working in, their stores, and we have a special affinity for them because they too are great makers of clothes and not just retailers. For instance, every sales staff person in their stores up and down Japan spends 4-6 weeks in their Okayama/Kojima factory learning how to make a pair of their firm's legendary jeans all by themselves before they are allowed to ever work in a johnbull store and start trying to sell johnbull jeans to customers. Every store has a sewing machine in it somewhere near, or on, the sales floor. This is not for show, like the windows of some faker firms that fill up their shop windows with old sewing machines (for example, there is some cheesy English firm that does this, that I cannot remember the name of, which sells cheap and pretty ugly looking "interpretations" of what we and others do near the Place des Victoires in Paris, apparently trying to position themselves as being "artisanal" or something).

                                No, the sewing machine you see in a Johnbull private labo shop in Japan is there so that the salesperson who is taking care of you can hem your jeans to whatever length you need (at factory quality work level) right there on the spot. No charge. No wait. That's a maker's company. And as the world's most serious makers of hand made designer clothing... that's my kind of retail partner. People who know the real value of what we can put into our works, and how truly different it really is from anything else out there…and then, be able to communicate that with people walking in the door to the point where one person at a time… they too become fans of a dream that we have committed over 35 years to build, day and night, season after season, year after year. And while you are in Tokyo, that includes our other great retailer partners like Arts&Science in Aoyama and Al Select in Kichijoji, they too also share a deep appreciation and commitment to our way of thinking and doing things.


                                Worlds Apart

                                Contrast that with the myriads of unbelievably phony and fake retailers out there today who are suddenly trying to jump on, or off the bandwagon, and it is truly a tale of two worlds entirely apart from each other… For example, one former American legend on the West Coast is now saying that there are too many "artisan brands" in the market so they are not selling them so well anymore (maybe because most of them are not artisans in the first place). So as a result the "legend" has shifted their entire focus on becoming little more than local sales lackeys for the 2 Octopussies, the global multinational conglomerates: LVMH and Kering. Practically every collection they claim to carry now is owned by one of the 2 companies. But that is not suprising. The Octopussy twins, now being run by the offspring of the original financier wheeler-dealers who started each of these M&A (merger & acquisition) conglomerates from scratch with their own" two hands" (ha ha ha) - are now out to own everyone. One of them already owns sixty, I repeat, 60 collection brands outright. Yet the flagship brands of their lines have both now been so oversold and overexposed that sales are dropping like a leadweight and with one of them they have so devalued the name as a result, that they are now too ashamed to put the logo on the product anymore. Another fine example is a former retail legend on the East Coast that is doing virtually the same lackey buying job as the legend on the West Coast, and is now claiming their carefully 'curated' collections represent something like the 'pinnacle of luxury' and-that at the same time, as if by magic, they are also the last independent stand alone retailer in their market for what they do- notwithstanding the fact that they were bought-out years ago by a much larger retail corporation, which is now owned by an even larger financial corporate group. Independent? F you. How dare you make that claim? You are about as independent as the state of Iraq these days. And how dare you state that you are selling the 'pinnacle of luxury' when your brand list is a who's who of industrial corporate volume-produced plastic. Pinnacle of marketing and hype is more like it. And as for the luxury thing, you are missing the boat, big time, and feeding your customers a full-blown and overly priced lie.

                                But lies are common these days in a world of fashion now being run by MBA's, VC's, dot.commers, phony merchants and faker brands.

                                You cannot play musical chairs when it comes to quality and real long term value for the customer. In fact, if I hear another phony retailer use the word "curated collection" for another fake artisan offering, I think I am going to throw up. I am really tired of hearing all of the claims to craftsmanship, artisan-this and artisan-that, and handmade-this and handmade-that by those who have nothing to do with such things at all. And worse, have done their fare share of driving many of the really good things and people out of this game.


                                The Bullsh_t of Fashion

                                And dissappointingly, you can now include the LVMH-consortium-backed Business of Fashion or BoF as they call themselves, right in along with that lot. Rather than its claim to be reporting about the "Business of Fashion"…more and more we are getting the impression that BoF is really now just a pump for the "Bullsh-t of Fashion." A veritable mouthpiece for the Corporation promo machine, disguised as a youthful new startup version of WWD in digital form, who keep ignoring (just like the big phony retailers) the real people in this game who are doing the real things. These people who seemed to have started out with good intentions, have changed dramatically in the past year and now like to focus on things such as the "problem" with once great product makers like certain English Bespoke clothing houses and shoemakers (I will leave the names to you)-- as being their inability to "scale-up" their operations in order to make themselves viable for that juicy fat big-time IPO or buyout possibilities that so many other "heritage" brands (another term that makes me gag) have succumbed to.

                                The very idea of scaling up a H. Huntsman or a Henry Poole is an oxymoron. If you scale it up, it ain't the same. You have ruined it. Like the piece of you-know-what that they have turned Cristobal Balenciaga's name into by using his name on a product that is a total antithesis to what he dedicated his entire life to create and defend. The soul is gone. And that great legendary product that made the name in the first place, must be, and is, changed. And not for the better. If you scale up a Huntsman, it is not a Huntsman anymore. And few examples bear greater witness to this fact than what has gone down with Balenciaga. What those merchants in the temple call Balenciaga today, is a criminal act of defamation and identify theft, committed against the man himself and every single one of the great master craftspersons and artists that worked with him during his life on this earth. Scale up? F off.

                                I remind all of us here on SZ that there is a choice between wanting to become billionaires on the stock market, and wanting and being committed to being able to build the best product in the world. The two simply do not go together.

                                Oil. And Water.

                                And I for one, think it is time the Corporation gets the F out of this game. And by that , I mean the game of creation, artisanship, true luxury, and making great things for human beings, not a quick buck on the IPO by faking it for just long enough to hike the stock price up enough to pull the deal off…. and not trying to buy up every single young kid trying to get started out of fashion design school, and every journalist on the circuit trying to write about fashion, and every young retailer trying to start up a good new shop in his or her town, so that in the end- the customer doesn't know anything about what is really out there and really available.

                                And that too is another story...




                                View of the new expanded GBS Via Spalato
                                workrooms at Cavarzere Venezia where we
                                create about one thousand individual hand
                                made clothing pieces per year. Really.


                                .

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