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What about Alain Delon in Le Samourai (Melville, 1967), now we are talking about style</p>
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It's not a film noir though...but yeah Delon has a feline grace that makes watching him move on the screen a fascinating experience.</p>
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Bruno writes, 'In the mode of a remake, Le Samourai returns film noir to the French cinephilic culture that gave it its name. A French neo-noir, shot in color'. </p>
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the extraordinary metamorphosis of one black liquid into another
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