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Production design for launch of doritos inferno which taste like shit[/QUOTE]
D is back with a bang!!
The visual dissonance between the epic photography and the powdery chip makes it all the better :)www.AlbertHuangMD.com - Digital Portfolio Of Projects & Designs
Merz (5/22/09):"i'm a firm believer that the ultimate prevailing logic in design is 'does shit look sick as fuck' "
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Another excerpt from the feedback project "Static". Along the way the setup grew and now incorporates an analog mixer used as an no-input sound source with a cell phone plugged into it that carries a
A bit of EAI noise for no-input mixer and field recordings played on a cellphone. 20 minute CD coming soon, which I'm pretty happy about.
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Originally posted by dronevil View Post
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Thanks Czx! Great work on your end as well! big fan of noise
Yes, on follow us home everything was done with my recently departed RE-301. It was on her last legs while doing these recordings. I've since then downsized my pedal board from 15+ to about 9 or so. Ditched a bunch of my boss pedals and some gain boosters that I used a lot in my band Toskä.
With that being said, we all pretty much went our separate ways with our studies and work. We Jam once in a blue moon and eventually plan to record our set off the floor.
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Thank you. Ah, how I would love to own that elusive machine. I envy that you had a chance to play with it!
I want to build a pedal board myself aswell but there are some other things I want to get first.
Give me a notice if you will record something new.
Meanwhile I got some spam to post
:
I made some changes to my alias and along with that I released two EP's worth of material on my newly created bandcamp page. I invtite you to take a listen. Both EP's are avaliable in "pay what you want" format so invite you to grab them. If you feel that they are worthy of any, as small as you may think of, financial contribution I will be very thankful. But as it may be - I'll be happy either way if you will give me your time.
The first one - Behaviors contains previously unreleased material composed of recordings done with the use of generative sequencers triggering piano notes and microsounds that I manipulated live. That was later recomposed ever so slightly in order to create the final pieces.
Piano Explorations 1 on the other hand contain recordings done out of improvisations on piano and glitch sounds that were later edited out to form the compositions.
You can have a peek at the second album here as well:
Enjoy!
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I guess this is as good a place for a contribution as any.
I create music, with genre hovering between IDM, industrial and shoegaze.
I've also made a short film, which you can view here if interested (the password is "birds"). By april, something may come out of it.
Furthermore, I do some photography, all published on a Tumblr (that is also full of personal ramblings and new musical developments between noise and commercialism).
And, as of three weeks ago, I work for the fashion section of a magazine that is likely not very well thought of on here, and considering the clients we have to work with, understandably so.
It's quite interesting to see the various works the users on this board have created. Good to know that you guys aren't just about dressing the part.
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I'm very glad to announce that my new album just came out on sqrt.
It's a 20 minut long improv album that was created with a no-input mixer and field recordings while using a laptop for further processing. Everything was recorded live, no loopers or overdubs.
Here is the write up:
Recorded live, without overdubs and loopers of any kind, on a no-input mixer, cellphone playing field recordings and a laptop acting as a processing device in January, 2014.
This recording is a meditation on the abundance of sounds we encounter going through our daily lives in the city. The field recordings I used were not planned - they were taken by me randomly as I went through my day. Later on when I would listen to them at home it would occur to me how fascinated, and maybe scared, I am by all the sound we are exposed to daily. This thought led to the creation of this material.
Best listened to on a level alike to natural ambience or very loud. Please be careful with your ears in the second scenario.
Special thanks to Janek, Adam, Paulina and my family.
And credits to Adam Jankowski for mastering and Łukasz Ciszak for the artwork.
It is available as digital download with 21 physical copies also available for purcharse.
The digital download is available for an equivalent of around 2 euros while the physical release is priced at around 4 euros, shipping included.
I hope you will like it.
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