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"I worked before for Carpe Diem. And I’m a friend of Maurizio – before I began working for Maurizio I was a friend of Maurizio. I worked for this artist in Barcelona, who’s a friend of Maurizio Altieri from Carpe Diem, and in this same moment he (Maurizio) developed a new project called Linea and Sartoria. When you move the body, he used an electronic machine to communicate with a computer, and he studied the movement of different objects in this type of digital experimentation. So I think it was a very interesting work because in this moment Maurizio developed Linea and Sartoria, and in Sartoria you have a project called the “Second Body” in leather, the second leather - most notably, the jumper for the men. So we studied the muscles of men very carefully. We studied the second skin for this artist, the second leather, and we put an electronic chip inside the jumpsuit for sending digital images so we could study the movement of the performing artist while he wore a jumpsuit from Linea. We studied the change in leather as he moved, and we studied the muscle dynamics while he performed. And also the first idea when he developed the Linea and Sartoria was very, very avant-garde. When he developed Linea, it was too much for the client at the moment. Maurizio can see probably in the future. "
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