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what he mentioned in the little interview at the showroom for his third apparel season is that he had never been interested in any fashion or cultural movements other kids around him were once into, except CdG.
he cited rei kawakubo as the only influence of contemporary fashion on him, and said he was still a big fan of her.
which may be a bit like the correlation between joao gilberto and chet baker,
historical background references meet contemporary influence from another world/context with another background, like samba × west coast cool jazz = a sense of saudade (instead of just old) that is bossa,
especially when not only a few signature ph numbers but other things are paid attention to.
though I don't seem to get you perfectly merz, anyway I didn't suggest you you are unfamiliar. and don't have any distaste for you from me at least. I'd like to listen to what you say. also didn't try anything defensive.
meant to introduce the third factor to think about in any discussion on ph.
to be honest, when I saw his first jacket, I wondered if it's CdG (rather than historical reference) since the fabric was crumpled/worn-out plaid thick even if those features were not her inventions. that was my very first impression.
^ That jacket and fabric combination look great. The neck region almost reminds me of something similar to Undercover Guru Guru. I wonder if mens will carry this same fabric?
light grey and blue black blazers in a summer weight cotton herringbone, matching belted pants. A couple of hats. More coming in the next couple of weeks but nothing i was interested in buying
A pair of white and tan mix leather derbies and a pair of petrol blue derbies from last season were the only footwear pieces.
For me, the winter collections win hands down
you can't polish a turd, but you can roll it in glitter...
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