Originally posted by Faust
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Rick Owens Mens S/S 10 Paris
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That 9-minute remix of Dominator was downright unbearable and the angsty speed march of the models was horrible.
I realize he's showing movement and articulation but there could have been some consistency between each walk with a soundtrack that helped create a mood instead of destroy one.
As far as the pieces, I echo the sentiments of those who didn't like the denim, the shoe/boot interpretation or the leather aprons.
It is a solid line as far as a season of work and it comes across as typical RO I suppose. I think there's this collision of real world vs. runway in there that contradicts itself maybe.
The only things I buy from rick are mostly lame basics and the occasional outerwear or pair of boots...and those are consistent enough that you can always count on them. I'm not really in the market for a leather apron this season so maybe my opinion doesn't really matter.Originally posted by mizzarSorry for being kind of a dick to you.
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Originally posted by beardown View PostThat 9-minute remix of Dominator was downright unbearable and the angsty speed march of the models was horrible.
I realize he's showing movement and articulation but there could have been some consistency between each walk with a soundtrack that helped create a mood instead of destroy one."AVANT GUARDE HIGHEST FASHION. NOW NOW this is it people, these are the brands no one fucking knows and people are like WTF. they do everything by hand in their freaking secret basement and shit."
STYLEZEITGEIST MAGAZINE | BLOG
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Originally posted by mrbeuys View Post"My look is about an appreciation of teenage angst without actually having the angst."
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Originally posted by Fade to Black View PostI'm a fan of enigmatic statements, but I have absolutely no clue what on earth this sentence means.
"[...] subtract the footwear and creepy looking model, and you have many a 16 year old girls silly winter outfit, recycled at many times the price and for a different gender."
I guess teenage angst without the angst is just teenage.Hi. I like your necklace. - It's actually a rape whistle, but the whistle part fell off.
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Originally posted by Fade to Black View PostI'm a fan of enigmatic statements, but I have absolutely no clue what on earth this sentence means....I mean the ephemeral, the fugitive, the contingent, the half of art whose other half is the eternal and the immutable.
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Looks like RO's inspiration is on the same tracks as this winter : more tailored, less unformal.
The three stages silhouette he introduced this winter, and the use of the skirts, are still there as well.
But the tailored/geometrical work that everyboy noticed seems to have moved to the patterns as well, which unfortunately look like a poor rip-off of italian futurism or russian constructivism (or of his own young age work...).
In addition, the geometrical patterns doesn't follow the main lines of the body shape, but goes against them, and this produce a very strange impression :
The 45° degree angle breaks the line of the zipper, but can't be related to any implicit or subjacent anatomical line. It echoes the cut of the armpit though, and makes sense thus.
Same goes for the sneakers and their different shapes :
In this case, the instep dissapears - is denied ? CCP stand back !
They're strange, for sure, but not uninteresting.Last edited by Chant; 06-28-2009, 01:09 PM.
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im not a fan of the classic rick sneaker,but im rather drawn to these.
I was not very impressed by the panelled jackets with denim....seems very early 2000 when denim was having another boom.
Over all a fairly lack lustre collection,but as always there are a few pieces in there that are rather nice.
In particular the leather zipped waist coats.merz: your look has all the grace of george michael at the tail end of a coke binge.
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Originally posted by laika View PostIt's just proof, once again, the Rick is one of the best examples of post-modernism in fashion design, and a completely self-conscious one at that.
He uses the idea of teenage angst in as much as he eschews the psychological and cultural aspects of it - the, well..., angst - and uses the aesthetic expression thereof as a visual model. It's pretty shallow in a way, but he may be first to admit I guess if you pressed him on the subject (and if I am right). The genius is in "dressing" the statement the way he does.
And now that I got this far, I guess I have essentially said what Laika said but using more words...Hi. I like your necklace. - It's actually a rape whistle, but the whistle part fell off.
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I think what he meant to say, simply, was that as many of us, he has felt that angst as a teenager, and now it's gone, but the impression it has made of him has stayed and he still wants to express it. It's pretty straightforward to me - nothing enigmatic about it. I still listen to NIN without feeling what I felt listening to it 15 years ago, at least not to that degree. People grow up, pain goes away, but remembering your experiences is a beautiful thing.Fashion is a form of ugliness so intolerable that we have to alter it every six months - Oscar Wilde
StyleZeitgeist Magazine
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