Originally posted by Fuuma
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random fashion thoughts
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^ aw man, and here I thought that the 60s were a golden era of American automobiles. Look at how generic they look now. Almost everything looks exactly the same.
I will still forever love a '65 black and chrome Fastback. That is great design.www.AlbertHuangMD.com - Digital Portfolio Of Projects & Designs
Merz (5/22/09):"i'm a firm believer that the ultimate prevailing logic in design is 'does shit look sick as fuck' "
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That Dieter Rams quote is suspect...
k3mist what's your source? facebook?
Originally posted by Shucksit's like cocaine, only heavier. and legal.Originally posted by interest1I don't live in the past. But I do have a vacation home there.
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Last edited by fncyths; 09-05-2013, 11:22 PM.Originally posted by Shucksit's like cocaine, only heavier. and legal.Originally posted by interest1I don't live in the past. But I do have a vacation home there.
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Originally posted by fncyths View PostThat Dieter Rams quote is suspect...
k3mist what's your source? facebook?
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im guessing it was on the wall in the exhibition.
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Something i have thought about for a while, but have a hard time exploring or understanding, is the "vibe" i get from certain clothing.
Why does a shirt from H&M feel lifeless, compared to another basic t made by wings and horns? There is something very different to me, and its not based on price.
It's also not just about design, it's about quality and craftsmanship and a hands on approach that fast fashion doesn't ever seem to have. I've noticed a few designers that gave me this feeling just from trying on their clothing. Patrik Ervell, Old Geller stuff, Odyn Vovk, Wings and horns, Viridi anne, and some no-name brands that i have found just tinkering through consignment shops etc.
This is kinda like a clothing philosophy, but i really think there is a different energy with clothes made with intention and executed for the sake of enjoyment and craft rather than for business. Energy transference possibly?
Can anyone add to this, or am i just a dirty hippy?
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Originally posted by k3mist View Postmy source is http://thepursuitaesthetic.com/2009/...design-museum/
im guessing it was on the wall in the exhibition.
Thanks for posting!
"Gestalt
Dieter Rams complained that the word “design” was ruined by the fashion industry and marketing. They sell products as “designer products” that aren’t necessarily good representations of good design. He suggested that we be called “Gestalt Engineers” - Gestalt is the German word for "form" or "shape"."
More on Rams...
Originally posted by Shucksit's like cocaine, only heavier. and legal.Originally posted by interest1I don't live in the past. But I do have a vacation home there.
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Originally posted by Mung_city View PostSomething i have thought about for a while, but have a hard time exploring or understanding, is the "vibe" i get from certain clothing.
Why does a shirt from H&M feel lifeless, compared to another basic t made by wings and horns? There is something very different to me, and its not based on price.
It's also not just about design, it's about quality and craftsmanship and a hands on approach that fast fashion doesn't ever seem to have. I've noticed a few designers that gave me this feeling just from trying on their clothing. Patrik Ervell, Old Geller stuff, Odyn Vovk, Wings and horns, Viridi anne, and some no-name brands that i have found just tinkering through consignment shops etc.
This is kinda like a clothing philosophy, but i really think there is a different energy with clothes made with intention and executed for the sake of enjoyment and craft rather than for business. Energy transference possibly?
Can anyone add to this, or am i just a dirty hippy?Fashion is a form of ugliness so intolerable that we have to alter it every six months - Oscar Wilde
StyleZeitgeist Magazine
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I liked fashion more when it was taboo (whether due to time or place) for straight guys to like fashion."He described this initial impetus as like discovering that they both were looking at the same intriguing specific tropical fish, with attempts to understand it leading to a huge ferocious formalism he characterizes as a shark that leapt out of the tank."
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