Just to add I look at Poell's project as the antithesis to that of Junya's. Junya is perfectly content working within the confines of traditional menswear and just making subtle alterations/derivations whereas with the womenswear he is free to create without any restrictions. I can't think of any designer that doesn't take advantage of the liberty that comes with creating womenswear. Maybe Chalayan and Margiela come closest in terms of working within a conceptual framework that critiques feminine norms but with them it seems more of an addendum relative to Carol. Even Helmut with all the androgyny, bondage straps and handcuffs didn't call into question female sexuality. In terms of Carol's menswear Muccia Prada would like to think she is doing the same thing but obviously in a much more naive way - realeasing men from their restraints is not just a matter of dressing them in tutus.
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Poell's work certainly has some dark references but I see more of a grizzled gentleman in his clothes, one who's still compassionate and sensitive to the issues of our times. I personally believe him to be a very warm person in real life.
Supposing that Poell really did dislike women, would you say that he'd pour negative feelings into the actual process of producing women's clothes? Or perhaps he lashes out only on the concept board but still remains a master craftsman in the production room? Perhaps both? Maybe his hatred is a more sophisticated kind and doesnt prevent him from objectively criticizing them.
What about his women's sizes, do you imagine him to scornfully go about producing them? They're definitely easier for him to make because there arent many tweaks at all. These are the type of women who accept and deeply appreciate his sense of aesthetic and technique without the burden of all the stylized superficial crap seen on women's runway that he seems to despise. I dont think he'd hate these women.
I may also be biased as to how he views women in general because it's obvious to me how some women, like the Lift lady among others, seem to have very good relationships with him. Maybe he just likes only a select number of women although I'm not inclined to believe it to be true.
Originally posted by philip nod View Post
this is why i think that he hates them. poell seems to be the type of guy that explores his hatred. lets not forget, poell work is fucking dark as fuck.
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Originally posted by khiev View PostI may also be biased as to how he views women in general because it's obvious to me how some women, like the Lift lady among others, seem to have very good relationships with him. Maybe he just likes only a select number of women although I'm not inclined to believe it to be true.
I think the point here is that if we are to look at his work as art, and him an artist, then exploring his personal feelings about the opposite sex through his work is quite honest I think. Despite what one feels about his clothes for women, shouldn't his exploration be lauded?
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It would be interesting to know which art galleries have CCP in their collections. I would not be surprised if the galleries that have collected CCP have collected women's clothes.
If that guess is right that might say something about his work as art or it might say something about benefactors who donate to art galleries.
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Originally posted by philip nod View Post
this is why i think that he hates them. poell seems to be the type of guy that explores his hatred. lets not forget, poell work is fucking dark as fuck.
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Number (N)ine on the other hand, I find to be more psychologically disturbing and challenging when considering the brand vision as a whole, despite the sometimes unassuming exterior of the pieces, especially when presented as standalone. Another one I can think of is Margiela
Khiev makes a good point, the Lift lady has a good relationship with him, and based on how I see her incorporate the clothes into her lifestyle as well as her business, she makes everything seem much more approachable.
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I agree.
His work is getting darker than earlier seasons, nevertheless I found that his style is evolving and remains true to his ideal. I always admire people like him that does not want to be controlled by the market or majority.
Using my own language, he is an idealist genius.
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silver surfer reviewLast edited by tjoek; 01-19-2011, 02:43 AM.
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Originally posted by khiev View PostI may also be biased as to how he views women in general because it's obvious to me how some women, like the Lift lady among others, seem to have very good relationships with him. Maybe he just likes only a select number of women although I'm not inclined to believe it to be true."AVANT GUARDE HIGHEST FASHION. NOW NOW this is it people, these are the brands no one fucking knows and people are like WTF. they do everything by hand in their freaking secret basement and shit."
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I'd point out firstly the pun (good or bad one ? I'm not familiar enough with the English language to come to a decision) : MALE / FE-MALE. Obviously, woman is definited through her relation to man, more : a FE-MALE is a (kind of) MALE.
But what kind of male ?
Secondly, the picture (thanks Laika) :
Pubes and sex have been grossly erased (the job could have been done "better" easily). So it focuses the look, catches the eye, but don't allow to see what should be there.
Thirdly, my friend Sigmund :
Originally posted by Die TraumdeutungEin junger Mann hat einen sehr deutlichen Traum, der ihn an bewusst gebliebene Phantasien seiner Knabenjahre mahnt : Er befindet sich in einem Sommerhotel, irrt sich in der Zimmernummer und kommt in einen Raum, in dem sich eine ältere Dame und ihre zwei Töchter entkleiden, um zu Bette zu gehen. Er setzt fort : "Dann sind einige Lücken im Traum, da fehlt etwas, und am Ende war ein Man im Zimmer, der mich hinauswerfen wollte, mit dem ich ringen musste".
The picture shows a dressing/undressing woman, and "something's missing there" too. But, as in a dream, the response, or the following part of the narrative, has been shifted. What kind of shoes is she wearing ? Slitted shoes, where the slit looks like a scar.
Means there's no positive recognition of the sexual difference : fe-male sex is seen as a castrated male one. The only alternative is phallic/castrated, 1/0, or... black/white (colour of the skirt contrasting with the finger's one).
Conclusion ? CCP's vision of the women is a four years old boy's one, and a female is a castrated male. This could be a possible explanation for the misogynistic feeling his for women designed clothes give.
But he's a very cultivated boy too, who knows the Italian paintings and fresco's history (the wall behind her).
[Please don't take this message too seriously ]Last edited by Chant; 02-11-2009, 03:52 PM.
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soultek & mike, I agree that we should look at his work from a design standpoint and then speculate. It's more fair to CCP but like I said, I'm biased because of the women that I know who happen to be on good terms with the man.
Mike, I also didnt speculate that CCP hates women, on the contrary, I was trying to prove otherwise.
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Let's hope that there soon will be more real news about the new collection. And this infernal speculation and personal interpretation blablahs, which don't lead anywhere, will fade.Originally posted by blacksuitwow .. ccp bag is more better than guidi bag?
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Originally posted by osn19 View PostLet's hope that there soon will be more real news about the new collection. And this infernal speculation and personal interpretation blablahs, which don't lead anywhere, will fade.
Oh yeah : "osn19".
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Originally posted by philip nod View Postkhiev -I really dont think that Poell would ever bother to purposely display entire collections for females just to show how much he hates them
this is why i think that he hates them. poell seems to be the type of guy that explores his hatred. lets not forget, poell work is fucking dark as fuck.
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My $.02 interpretation is that CCP doesn't hate women as much as he either (1) doesn't understand the female body, or (2) is not that interested in it; hence the low production.
Originally posted by khievI personally believe him to be a very warm person in real life.
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