Spirituality and such are obviously a very personal thing for him, how it translates into his work might not be that obvious. but there are some clearly visible aspects, such as some of drapery and the blood red colour which both take cue from buddhist monks. I think there was a much more softer side displayed this season, which might have something to do with this.
Of course, the aggresiveness from industrial and military references has always been present in Julius, or survivalism, as he refers to the concept.
Of course, the aggresiveness from industrial and military references has always been present in Julius, or survivalism, as he refers to the concept.
Comment