As I said, I am not denying CDiems aesthetic.
To me it's just getting way too much credit, being regarded as a pinnacle of men's fashion, as I remember someone said here once.
I mean, come on. Out of about 25 pieces I've handled (I don't own any, and whilst some might argue that's why I don't "get it", I will disagree) and examined, I found about 4 of real interest and about 1 or 2 where I could say, "yeah, you know what, there really is some serious time and thought spent here".
Somehow it's standard to go through numerous CDiem pieces and look for some examples of ingenuity and then go "oh look! Genius!", but no one goes through a collection of big name/more mainstream designers looking for this and saying the same. You know, the construction behind some Chalayans (structure) pieces, or Dior Couture (hand work), or Jil Sander womenswear (simplicity), or Savile Row tailors (artisan) is going to run circles around best of CDiems pieces. But somehow quite a few CDiem aficionados seem to sneer at them at every given opportunity and confuse their love for aesthetic (masterfully executed as it is) for their understanding of garment construction or pattern cutting.
And this is where I have the issue with it. I respect and tend not to argue with people who have an open mind to love CD but also appreciate that it's not be all and end all of fashion, and that if you look as hard at some other designers work as you look at CD, you might surprise yourself by how much thought and construction know-how went into "just one of the pieces on the catwalk".
To me it's just getting way too much credit, being regarded as a pinnacle of men's fashion, as I remember someone said here once.
I mean, come on. Out of about 25 pieces I've handled (I don't own any, and whilst some might argue that's why I don't "get it", I will disagree) and examined, I found about 4 of real interest and about 1 or 2 where I could say, "yeah, you know what, there really is some serious time and thought spent here".
Somehow it's standard to go through numerous CDiem pieces and look for some examples of ingenuity and then go "oh look! Genius!", but no one goes through a collection of big name/more mainstream designers looking for this and saying the same. You know, the construction behind some Chalayans (structure) pieces, or Dior Couture (hand work), or Jil Sander womenswear (simplicity), or Savile Row tailors (artisan) is going to run circles around best of CDiems pieces. But somehow quite a few CDiem aficionados seem to sneer at them at every given opportunity and confuse their love for aesthetic (masterfully executed as it is) for their understanding of garment construction or pattern cutting.
And this is where I have the issue with it. I respect and tend not to argue with people who have an open mind to love CD but also appreciate that it's not be all and end all of fashion, and that if you look as hard at some other designers work as you look at CD, you might surprise yourself by how much thought and construction know-how went into "just one of the pieces on the catwalk".
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